THE ONLY OFFICIAL HISTORICAL ROOTS 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL

THE ONLY OFFICIAL HISTORICAL ROOTS 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL
Contact: baulhistorytrilogy@gmail.com / WARNING: DO NOT SUPERIMPOSE OUR LINEAGE ONTO COMMERCIAL COSPLAYERS Do not conflate, superimpose, or link the primary-source archives of this blog onto social media influencers, "Baul Artists," or self-titled "Baul Masters" operating in the commercial Guru-Ma and Guru-Baba donation business. This singular, indigenous parampara is NOT them. For decades, external commercial actors have systematically executed Digital Shadow Footprinting against this one and only lineage—stealing the lifelong labor, international travel, academic breakthroughs, record contracts, and historical coordinates of Baul Samrat Purna Das Baul and KD Babu Kishan. The 'Fake It Till You Make It' Blueprint (1970s–Present): Pretendian refugees and commercial actors built their careers by shadowing Purna Das Baul's rise as Bengal's premier cultural icon. They self-titled themselves "Das Baul" or "Baul," adopting the external attire, instruments, dance forms, and repertoire composed by KD Babu Kishan—who composed over 80% of his father’s music. The Shapeshifting Erasure: Over the past 20 years, these "hawker Bauls" have continually rebranded—shifting from synthetic "Buddhist Bauls" to full-face-painted "Vaishnava Bauls"—while systematically poaching the lived histories of Nabani Das Khyapa Baul (Avadhuta of Tarapith), Purna Das Baul, KD Babu Kishan, and Manju Das (the first and only legitimate Baul woman to tour globally, whose original songs have also been copied). The Identity Fraud: This living ancestral tradition is indigenous (Krishna/Radha Sahaja and Dattatreya Sahaja of Birbhum). It was never "Buddhist Sahaja," and it never spoke Pali. KD Babu Kishan is the first English-speaking Baul scholar to document this unbroken 13-generation oral history. INTELLECTUAL PROPERTY & COPYRIGHT NOTICE © 2010–2040 | BabuKishan.org | All Rights Reserved No Unauthorized Extraction: Do not copy, extract, reproduce, or poach any text, terminology, or historical accounts from this platform. These records are documented exclusively by Krishnendu Das Baul (KD Babu Kishan) under direct initiation from his Guru, Nabani Das Khyapa Baul. Sharing Protocol: You may share content only via direct, original links. Copy-pasting text or scraping terminology without written authorization is strictly prohibited. For inquiries, contact: krishnendudas@mail.com | babukishanproductions@gmail.com. Irreplaceable Heritage: Baul Samrat Purna Das Baul is a singular, irreplaceable figure in world music history. No modern commercial actor holds the Adhikara to replace, replicate, or claim his historical legacy. Modern commercial "Baul" performance is an ersatz simulation; authentic Baul as a living ancestral lineage is protected solely by its direct biological heirs.

Thursday, July 28, 2022

"Kichhu Din Mone Mone" by Nabani Das Khyapa Baul, appropriated by a New Baul singer! With no mention of Nabani but a random poet?

A message from Babu Kishan aka Krishnendu Das to New Baul Singers and those that Follow this lineage of Baul:

Repost from 2017


The truth about the intellectual property theft of "Kichhu Din Mone Mone" 

 
Indigenous Fraud and Indigenous Baul Identity Theft.

Theft of their songs, style, dance, where they go, what they have achieved, awards, trying to fundraise for financial jackpots when Baul has already been preserved by Babu Kishan aka Krishnendu Das Baul for over 60 years?

 https://lineagebaul.blogspot.com/2025/02/indigenous-identity-theft-indigenous.html

 “When people steal from our culture they end up distorting our culture, they turn it into something we do not even recognize, erasing us by replacing us.”  

They re-package a watered-down or romanticized version. The mainstream world then accepts the fake/distorted version as authentic, effectively erasing the original living caretakers and replacing them in the public consciousness. I have see this in academia, and in the western audiences who do not have a clue, if it sweetly smiles and looks exotic it must be, whether their lineage is fake, their style and songs are appropriated, they have not got a clue.

When a sacred song, medicine, or teaching is taken out of its traditional lineage, it loses its spirit or in this case Baul essence (the Shakti that has been passed down for hundreds of years). When the dominant society spreads that distorted version, the original community is erased because their true practice is no longer recognized—even by their own youth who grow up seeing only the mainstream caricature. 


Official Statement: Stopping the Indigenous Fraud of the Baul Tradition

Pioneering global Baul culture without the internet was a monumental task. Long before Facebook or social media existed, our family dedicated over a century of hard work to bringing the sacred Baul tradition from the villages of Suri, Birbhum, West Bengal, to the world stage. Before us, the global public did not know who or what a Baul was. We carry an unbroken ancestral lineage tracing back thousands of years—acting as village teachers, gurus, and spiritual standard-bearers long before newspapers existed.

The Signature of the Lineage: Attire, Instruments, and Performance

When you see the names Das Baul or Dasi Hare Krishna, you are looking at our family lineage.

  • The Aesthetics: The signature patchwork robe (Guduri) was personally designed by Babu Kishan.

  • The Instruments and Style: Playing the Ektara alongside the Baya (duggi drum) at the hip, combined with rhythmic Nupoor (ankle bells), represents the unique style forged by Nabani Das Kheppa Baul.

Today, performers worldwide copy this exact attire, posture, and instrument combination—yet many fail to attribute the origin of this template to Nabani Das Kheppa Baul and our family.

Historical Impact and Political Stature

Our lineage carried the sacred honey of Baul song directly into the pivotal moments of modern Indian history:

 Nabani Das Kheppa Baul (Boro Baba)
 ├── Sang for Jawaharlal Nehru during the Indian Freedom Movement
 │
 └── Purna Das Baul & Manju Dasi (with young KD Babu Kishan)
     └── Performed extensively for Prime Minister Indira Gandhi, 
         Sanjay Gandhi, and Rajiv Gandhi across major national stages
  • Women of the Lineage: Legendary lineage women—including Brajabala Dasi, Manju Dasi, and Radharani Dasi—were the original pioneers. Today, while other women travel as performers, the historic path was paved by the women of this lineage.

The Misuse of Lineage, Erasure, and Performance Quality

In 2010, this platform was established under the name Lineage Baul because no one in the tradition used the term "lineage" prior to Babu Kishan defining it. Today, revisionist claims and fabricated history are widespread online:

1. Misattribution of Sacred Compositions

Lineage compositions are frequently uploaded to public platforms, credited to incorrect poets, or categorized under completely unrelated traditions (such as Kabir sites). A prominent example is the revered Baul Kirtan "Kichhu Din Mone Mone."

Historical Fact: "Kichhu Din Mone Mone" was written and tuned by Nabani Das Kheppa Baul. It was officially recorded in the 1960s by Purna Das Baul for Hindustan Records—India's first recording company—and later preserved in field recordings by his grandson, Babu Kishan (Krishnendu Das Baul). Nabani Das was also a close spiritual companion to Rabindranath Tagore, initiating him into the lineage under the Baul name Ravi (Robi) Das Baul.

2. Fabrication of "New Lineages" and Modern Titles

Superficial terms like "Baul Master" do not exist in traditional sadhana—there is only the Baul Guru. Today, performers adopt the outer style, head-spinning theatricality, and instrument layout developed by Nabani, while claiming to belong to newly invented lineages.

3. Vocal and Musical Rigor

True Baul singing requires precise vocal control, pitch, and internal energetic discipline (Vayu Dharma). As an award-winning music composer with six decades of experience producing legendary Indian vocalists like Lata Mangeshkar and Asha Bhosle, Babu Kishan notes that much of what is marketed today as "Baul performance" lacks basic tonal control, pitch stability, and genuine spiritual initiation.

A Call for Respect and Authenticity

Preserving the Baul path does not require online fundraising, theatrical showmanship, or non-lineage organizations collecting donations for non-existent populations of "20,000 Bauls." True social service should be conducted transparently without exploiting a sacred heritage.

  • Learn the Sadhana: Focus on real musical technique, voice development, and internal discipline rather than theatricality.

  • Honor the Ancestors: Respect the foundational work of Nabani Das Kheppa Baul, Baul Samrat Purna Das Baul, Manju Dasi, and the lineage elders who built the international platform everyone benefits from today.

  • Stop Misattributing Poetry: If you sing or record songs from this lineage, state the correct poet. If you do not know the author, learn the lineage history before presenting the work publicly.

Joy Guru.

All content and lineage history protected under international copyright. Lineage archive maintained by KD Babu Kishan (Krishnendu Das Baul).

 

This statement addresses the pervasive issue of intellectual property theft and the creation of fake lineages targeting the authentic Baul heritage of Birbhum, West Bengal, India.

I. The Core Offense: Indigenous Fraud

The practice of cultural appropriation, identity theft, and fraud against the Baul tradition. This constitutes a severe violation of the first tenet of Baul philosophy: Truth (Satya).

  • The Theft: Outsiders—referred to as "pretendian Bauls"—are engaging in Indigenous Intellectual Property Theft by:

    Stealing the songs, style, dance, and stories of this specific lineage. While taking this lineages names off, replacing us by faking us.

    Dropping the names of the true pioneers (Nabani Das Khyapa (the last Baul Avadhut), Padma Shri Baul Samrat Purna Chandra Das Baul, Krishnendu Das Baul aka KD Babu Kishan) replacing them with fake gurus and invented lineages.

    Listing wrong or fake poets' names to mislead, while using the poetry of the Nabani Das Khyapa Baul without giving credit, or by changing the poets name through false narratives, reducing and watering down Baul to claim its history as your own.

  • The Lie (Asatya): This deception violates the core ethical mandate of Baul. To steal a song, claiming ignorance of the poet, and then to record and commercialize it as one's own, is bold-faced thievery.

  • The Consequence: This deconstruction, watering down, and reduction of the tradition is a form of cultural genocide against this pioneering Baul lineage.

II. The Case of Nabani Das Khyapa Baul's Poetry

The theft is evident in the widespread use of two specific, recorded songs:

  1. "Hrid Majhare Rakhbo"

  2. "Kichchu Din Mone Mone"

  • The Poet: Both songs were written by the one and only Baul Saint Sri Nabani Das Khyapa Baul (Grandfather and Guru of Babu Kishan).

  • The Preservation: This family is the sole reason these songs are known and preserved:

    • Purna Das Baul first recorded them in the 1960s with Hindustan Records.

    • Babu Kishan (Krishnendu Das Baul) later recorded them in the 1970s, ensuring their preservation across a 60-year period.

  • The Fraudulent Use: Some imitators, including those fundraising for "financial jackpots" and seeking fame/awards, are stealing these compositions—often copying directly from Babu Kishan's YouTube channel —and claiming the songs for themselves.

III. The Authenticity of the Only Lineage

This is a formal declaration of the singular nature of the Baul lineage, known as Lineage Baul Parampara Sampradaya:

  • Singularity: There is only one Baul lineage, and it is indigenous to India, originating in Ekkachakra, Birbhum.

  • Lived History: The lives of Nabani Das, Purna Das Baul, and Babu Kishan are unique, verifiable history. Outsiders are attempting to remake and randomize this history, taking the names off the people who lived it.

  • Babu Kishan's Credentials: Babu Kishan is uniquely qualified to teach this indigenous ancestral tradition, possessing both the lineage and academic credentials:

    • Academic: BA and MA from Calcutta University, qualified to lecture on Indian Philosophy, Tantra, Music, Veda, and Baul Sandhya Bhasha at universities worldwide since the 1970s.

    • Cultural Association: He is the only Baul with verifiable associations with historical figures and institutions, including the Ramakrishna Mission, Anandamayi Ma, Osho, Bob Dylan, Allen Ginsberg, and a 40-year career in Indian Cinema.

IV. Demand for Respect and Accountability

  • Stop Stealing: Do not make Baul generic and random (cultural appropriation). Do not add other people's names to this lineage's poetry.

  • Give Credit: If you sing or record songs from this lineage, you must state the true poet: Baul Saint Sri Nabani Das Khyapa Baul even if it were Roshik which is nicname for Rasaraj Gosia a family member and only used within this family ancestral parampara Lineage.

  • Stop Fundraising: To fundraise in the name of preserving Baul when this lineage has already preserved it for over 60 years is the biggest fraud.

  • A Crime Against Indigenous Peoples: The appropriation of Indigenous people's identity, songs, and wisdom, especially when used for self-promotion and false fame, should be recognized as a crime.

    "Indigenous peoples and individuals are free and equal to all other peoples and individuals and have the right to be free from any kind of discrimination, in the exercise of their rights, in particular that based on their indigenous origin or identity. Indigenous peoples have the right to self-determination." - United Nations

Intellectual Property & Copyright Notice © 2010–2040 www.BabuKishan.org | All Rights Reserved. Do not copy, reproduce, extract, or poach any text, terms, or historical accounts from this blog. These accounts are documented exclusively by Krishnendu Das Baul (Babu Kishan), who has preserved this singular lineage for over 60 years under the direct initiation of his Guru, Nabani Das Khyapa Baul. Sharing Content: You may share or repost using direct, original links to preserve context and credit source integrity. Copy-pasting text without explicit written permission is strictly prohibited. Lineage & Legacy Integrity: Unauthorized commercial performers and spiritual organizations have systematically copied and re-branded the foundational elements of this lineage—including its songs, attire, instruments, dance forms, historical records, and titles. Purna Das Baul: Purna Das Baul is a singular, irreplaceable figure in Baul history. No modern performer can replace, replicate, or claim his historical legacy. Authenticity Warning: Authentic Baul as a living ancestral tradition is extinct. Do not superimpose, conflate, or link this historical archive with contemporary, self-titled "Baul Artists," "Baul Masters," or commercial "Guru Ma / Guru Baba" enterprises.


https://vedicgoddess.weebly.com/vaishnava-tantric-baul-akhara.html


www.babukishan.org

The below are only exclusive to this one and only singular Baul Parampara or lineage, all the terms and associations, for too long Baul has been mis-appropriated by inauthentic opportunistic fake Bauls and written about with false narratives by the Colonial Academicholarly institutions.

Key Baul Figures & Lineage

#NabaniDasKhyapaBaul #PurnaDasBaul #BabuKishan #KrishnenduDasBaul #lineagebaul #baullineage #NabaniDasBaul #dasbaul #NityanandaofEkachakra #ChandiDas #Joydev #GosaiVaishnavaDasBaul ##NeemKaroliBaba #baulparampara


Core Baul Concepts & Philosophy

#Baultantra #GaudiyaVaishnavaandBaul #Baulphilosophy #VaishnavaSahajiya #VaishnavaSahajiyaTantricBauls #KrishnaKaliunity #Krishnakali #RaaiRajaLila #Baulsadhana #BaulAvadhut #BaulAvadhuta #BaulthepathoftheAvadhuta #BaulsahajaKrishnaDattatreyasahahaja #Baultantramantragopiyantra #BaulKirtan #BaultheRasaLilaMystics #BaulVayuTula #Baulwindcatchers #mirrorofthesky


Geographic & Cultural Context

#BirbhumBaul #Birbhum #EkachakraBirbhum #Tarapith #TarapithandBaul #TaraMa&Baul #Kolkata #Shantiniketan #shantiniketanbirbum #Bengal #baulofbengal #baulofbirbhum #India #IncredibleIndia #indianmusic #sangeetnatakakademi


Critique & Preservation

#Baultruth #Baulculturalappropriation #Baulrealhistory #EndangeredBaullineage #Baulendangeredlineageparampara #Baulhistory #baularchive #archivedbaul


Baul Music

#baulmusic #baulgaan #Bauldocumentary #baulsangeet #baulkirtan #ektara #gopiyantra


Related Figures & Movements

#RabindranathTagore #BaulTagore #osho #VaishnavaBaul #TantricBaul #vaishnavaaghori #Ramakrishna #BaulandRamakrishna


General & Other

#baul #historicalBaul #pioneeringBaul #baulwomen #baulsaint #legendarybaul #baulartist #BaulGuruShishyaParampara #Baulparampara


  • "Authentic Baul" #AuthenticBaul

  • "Vaishnava Sahajiya Tantric Bauls" #VaishnavaSahajiyaTantricBauls

  • "Birbhum Baul" #BirbhumBaul

  • "Nabani Das Khyapa Baul" #NabaniDasKhyapaBaul 

  • "Babu Kishan Baul" / "Krishnendu Das Baul" #KrishnenduDasBaul

  • "Baul Guru Shishya Parampara" #BaulGuruShishyaParampara #Baulparampara

  • "Baul philosophy" #Baulphilosophy

  • "Krishna Kali unity" #Krishnakali

  • "Raai Raja lila" #RaaiRajaLila

  • "Real Baul history" #Baulrealhistory

  • "Baul cultural appropriation" #baulculturalappropriation

  • "Endangered Baul lineage" #Baulendangeredlineageparampara

    #BaulandRamakrishna

    Baul and Ramakrishna is only associated with KD Babu Kishan as he is the only Baul to be a monk in the Ramakrishna Mission for 12 years, this is a first and last in Baul. 

    #Baul&Tantra 

    Baul and Tantra is only associated with Nabani Das Khyapa Baul and KD Babu Kishan, Baul and Tarapith is only associated with them both too. Those others are not Baul as Baul Artist of an non-indigenous Baul is not a Baul but a users, poser, actor trying to remake the already lived lives of this parampara, do you speak the language, do you know what they are singing or who is the owner of the songs, or even if the songs are Baul songs, no you do not, so don't make emotional promotional comments when you do not even understand. You are cheering for a fake Baul and have no clue.


    • The practice of "Baul Kirtan-anga" Copyright, all songs will be reclaimed that belong to this lineages.  

      #BaulKirtan 

      (only this lineage, parampara, no one used Baul kirtan until they read it on this blog, this is downright appropriation and false advertising by fake opportunistic self-titled so-called Bauls for marketing purposes, they have appropriated this lineages intellectual property, it can be proven and must be brought to the attention of the public because they are asking for donations and fundraising for jackpots, awards, grants and are not Baul, their Guru is a fake Baul Guru.


    • The "Rasa Lila Mystics" this is the only lineage parampara that is Vaishnava and Vaishnava Sahajiya Gosia Chandra Das Baul and Dasi, there is not another, never was. #BaultheRasaLilaMystics


    • "Baul Tantra Mantra Gopi Yantra". Copyright, no poaching  

      #Baultantramantragopiyantra

    • "The path of the Avadhuta". Copyright there are no other Baul Avadhuta's and that title only belongs to this lineage or singular parampara, there is not another. They make Baul a no name generic Baul while claiming the intellectual property and the already lived firsts and lasts of this lineage. I have documented thousands of misuse of Baul for over 20 years, if you would like to see my research contact KD Babu Kishan, his website is listed throughout this blog and website  

      #BaulthepathoftheAvadhuta

    • "Baul Sahaja is Krishna & Dattatreya Sahaja". Copyright and only mentioned by KD Babu Kishan  

      #BaulsahajaKrishnaDattatreyasahahaja

    The Windcatchers (Vayu Tula). #BaulVayuTula. #baulwindcatchers

  • #India #lineagebaul #baultantra #baullineage #baulofbengal #babukishan  #baulwomen #baulavadhuta #baulsaint #legendarybaul  #nabanidasbaul  #mirrorofthesky  #rabindranathtagor  #osho  #vaishnavabaul  #vaishnavaaghori #baul #baulmusic  #tantra  #babukishan  #baulgaan  #nabanidasbaul  #purnadasbaul  #bengal  #india  #indianmusic #shantiniketan  #baullineage #bengalibaul  #baularchive  #archivedbaulbn#Baulhistory #BaulofBengal  #BaulofBirbhum #dasbau#Kolkata  #Bauldocumentary  #baulkirtan  #Baulsadhana  #ektara  #EkachakraBirbhum  #gopiyantra   #baultantra #NabonidasKhyapabaul  #bauldocumentary  #baulsangeet   #RabindranathTagore  #BaulTagore  #shantiniketanbirbum #jainitai  #jaiguru  #NityanandaofEkachakra  #BaulAvadhut  #Birbhum  #Tarapith  #Kolkata  #IncredibleIndia  #India #VaishnavaBaul  #TantricBaul   #sangeetnatakakademi 


    Va

  • "Authentic Baul" #AuthenticBaul

  • "Vaishnava Sahajiya Tantric Bauls" #VaishnavaSahajiyaTantricBauls

  • "Birbhum Baul" #BirbhumBaul

  • "Nabani Das Khyapa Baul" #NabaniDasKhyapaBaul 

  • "Babu Kishan Baul" / "Krishnendu Das Baul" #KrishnenduDasBaul

  • "Baul Guru Shishya Parampara" #BaulGuruShishyaParampara #Baulparampara

  • "Baul philosophy" #Baulphilosophy

  • "Krishna Kali unity" #Krishnakali

  • "Raai Raja lila" #RaaiRajaLila

  • "Real Baul history" #Baulrealhistory

  • "Baul cultural appropriation" #baulculturalappropriation

  • "Endangered Baul lineage" #Baulendangeredlineageparampara

    #BaulandRamakrishna

    #Baul&Tantra 

    The Windcatchers (Vayu Tula). #BaulVayuTula. #baulwindcatchers



  • #montrealkabirsociety


    #kabir 


    #baulofbengal


    #babukishan


    #kabirsociety 

    #